December 14, 2015

Infinity is a kinetic LED light sculpture/installation by Gooseberry Studio (On view October 4 - 19 @ Van der Donck Park, Yonkers, NY) 
From a distance at dusk Yonkers residents and visitors can spy a subtle twinkle in the distance, within reach of the river near by.  Approaching closer they see a line of light continuously tracing over and over itself to create a levitating infinity. As you pass underneath, when the perspective view is lost, the sculpture transformers to a portal to the sky. The form of infinity references the Hudson River and the project is partly inspired by the Hudson River, which flows both ways (The river was called Muh-he-kun-ne-tuk, the Great Mohegan, by the Iroquois, and it was known as Muhheakantuck (“river that flows two ways”) by the Lenape tribe who formerly inhabited both banks of the lower portion of the river - all of present day New Jersey and the island of Manhattan)

October 13, 2014

Installation by Kant Smith

October 11, 2014

August 16, 2014

- http://www.katewichlinski.com/

April 06, 2014

- http://artistsspace.org/

January 11, 2014

- http://www.vishalmarapon.com/Landscape

- http://vishalparadigm.tumblr.com/

December 29, 2013

- http://jasonpeters.com/

Kinetic sculpture at the Storm King Art Center

September 29, 2013

Alexandra Engelfriet - Skin of the Earth

Unknown Artist - BOS

Not Vital - Hanging and Waiting

June 27, 2013

Starrosphere drawings by Anastasia Ugorskaya.  See drawings in person @ DYNAMO ARTS ASSOCIATION Project Space DRAWING EXPO 13 July 5th 30 East 6th Ave Vancouver, BC

June 25, 2013

June 10, 2013

Reclaimed wood sculptures by Vancouver based artist Aaron S Moran.

- http://aaronsmoran.com/Artifact

May 30, 2013

Midway is a photography project by Chris Jordan

“On Midway Atoll, a remote cluster of islands more than 2000 miles from the nearest continent, the detritus of our mass consumption surfaces in an astonishing place: inside the stomachs of thousands of dead baby albatrosses. The nesting chicks are fed lethal quantities of plastic by their parents, who mistake the floating trash for food as they forage over the vast polluted Pacific Ocean.
For me, kneeling over their carcasses is like looking into a macabre mirror. These birds reflect back an appallingly emblematic result of the collective trance of our consumerism and runaway industrial growth. Like the albatross, we first-world humans find ourselves lacking the ability to discern anymore what is nourishing from what is toxic to our lives and our spirits. Choked to death on our waste, the mythical albatross calls upon us to recognize that our greatest challenge lies not out there, but in here.
- Chris Jordan, Seattle, February 2011”

May 15, 2013

http://www.npr.org/2013/03/29/175621576/self-taught-architect-behind-brooklyns-broken-angel-faces-eviction

April 05, 2013

March 21, 2013

William Miller: “To look into the Gowanus canal is to gaze into the eyes of a corpse. It is murky and clouded over but if you look closely you can see life and light reflected in the mercury, feces and coal tar that drift in the canal like malevolent clouds. This uncomfortable cohabitation is the foundation of a photographic study of the strangely beautiful horror that the canal hosts”

“Eyes as Big as Plates started out as a play on characters and protagonists from Norwegian folklore with the Norwegian photographer Karoline Hjorth. The series has since moved on to exploring the mental landscape of the neighborly and pragmatic Finns. In June 2012 Finnish senior citizens modelled in the wilderness of south and eastern Finland”

- http://riittaikonen.com

March 05, 2013

January 29, 2013

- http://www.alexkeha.com.ar

November 23, 2012

Installation by Spencer Tunick

November 02, 2012

Nimbus II by Berndnaut Smilde.  Berndnaut Smilde creates clouds using a smoke machine, combined with indoor moisture and dramatic lighting to create an indoor cloud effect.

October 30, 2012

Palisade Head is an immersive 65 x 74-inch print by Minneapolis-based artist Scott Nedrelow. “It’s more like a an actual-size map, but it’s not a useful map — it doesn’t show a large area like satellite maps or blow up a view that could be examined at more of a “honey, I shrunk the kids” level of fascination. it’s just a segment of ground presented actual size on a wall, something that can be ordinarily observed. so there’s a deadpan poetic element, it becomes significant because it doesn’t show anything that can’t already be easily seen”

September 03, 2012

“I don’t like concrete. A tree moves and also I’m silent. With a nail or a saw. you’d know I was there. I am like a raccoon” - Richard Greaves

Home of artist and architect, Eugene Von Bruenchenhein.

“Miracle on the Mountain” by Clarence Schmidt. Clarence Schmidt was locally and nationally renowned outsider artist -  an iconic pioneer of monumental environmental sculpture. His ongoing life’s work, the “Miracle on the Mountain,” was constructed of found objects and recycled materials between the years 1940-1972, which evolved on the back slope of Ohayo Mountain, in Woodstock NY.

In 2009, Grimes (Canadian singer-songwriter Claire Boucher) and her then-boyfriend from Tennessee constructed a 20-foot houseboat, named the “Velvet Glove Cast in Iron,” with the intention to sail it down the Mississippi River from Minneapolis to New Orleans. The cargo included chickens, a typewriter, 20 pounds of potatoes and a gifted copy of Mark Twain’s The Adventures of Huckleberry Finn.

Due to engine trouble and subsequent harassment from the Minnesota police, the journey was cut short and the houseboat and chickens were impounded. Above: Grimes.

Mississippi house boat.

“Employing a combination of natural and industrial materials, my interest lies in articulating humankind’s desire to take command over the earth, revealing distinct conflicts with ecology, politics and ourselves in large-scale installations that utilize architectural space in a distinct, powerful and imposing manner”

-http://blanedestcroix.blogspot.com/

August 07, 2012

For Closure (Outdoors Providence), found local doors, 2009. By Gabriela Salazar.

June 16, 2012

Cloud made of plastic bottles which brought to life a local myth in Vrindavan, India.

“The Life Instinct” solo show by Anne Percoco celebrates makeshift solutions, survival instincts, and reuse of discarded material. The centerpiece is a scrappy yet intricate hut assembled from scavenged materials and textural handmade elements, which visitors could enter and sit inside.