Victorial from Tel Aviv, Israel and originally from Kiev, Ukraine makes these beautiful, delicate mesmerizing photographs of the natural world with different vintage film cameras.
“And he retraced his wanderings in those deep old lanes that began from the common road and went away towards the unknown, climbing steep hills, and piercing the woods of shadows, and dipping down into valleys that seemed virgin, unexplored, secret for the foot of man. He entered such a lane not knowing where it might bring him, hoping he had found the way to fairyland, to the woods beyond the world, to that vague territory that haunts all the dreams of a boy.”
Flower illustrations from ” Plants - 2400 copyright-Free Illustrations of flowers, Fruits and Vegetables”
Graphite on panel, 2007
18” x 24”
Graphite on panel, 2007
18” x 24”
- By Anastasia Ugorskaya
One of my favorite posters by Charley Harper - The Rocky Mountains.
Images from the book Heavenly Visions:Shaker Gift Drawings and Gift Songs.
New paintings by Walton Ford at Paul Kasmin Gallery.
Lichen, 600 Years
Deborah Feilier: “Silently watching bees amongst lavender, snowflakes fall against the sky, lines eroded by water over mud or stalactites formed below foot are, for me, moments of awe.“Silence gives us the opportunity to experience a new kind of sensibility, it gives us another, better, opportunity for contemplation: experience itself.” Herman de vries(1)In making visual equivalents for this elusive experience of silent watching, I appropriate lines from the outside world - something in opposition to myself - to create a still and contemplative personal space. I am driven by my interests in the interface of different disciplines - science, art, psychology, language and thought, geology - and I am conscious of their various strands looping in and out of my work “
” Whilst the repetition of line is governed by underlying structures, such as the shadows cast by the arc of the sun, or the growth rate of lichen, the painting is more to do with the experience of looking, rather than a literal representation. [....] I am interested in connections with traditional Chinese landscape painting and the romantic works of Casper David Friedrich in expressing ideas of experience and the central role of nature in our lives. Shirazeh Houshiary, Michael Landy’s “Nourishment” series and Agnes Martin use the fragile line to create stillness in work that is both intensely personal whilst speaking of collective experience. Edwina Leapman’s paintings are of particular interest – for her programmatic application of paint, as well as her shared interest in Taoist themes of discovery and respect for the natural world”
Involuntary Parks by Caitlin Parker.
“The continent’s imperiled rims therefore become a new kind of landscape, the Involuntary Parks. They are not representations of untouched nature, but of vengeful nature, of natural processes reasserting themselves in areas of political and technological collapse. An embarrassment during the twentieth century, Involuntary Parks could become a somber necessity during the twenty-first.” —Bruce Sterling
Laurie Sermos’ photographs deal with the visible intersection of natural and created environments. Within these modern landscape images, nature or constructed environments of nature are represented as places to be considered and looked at. The environments photographed are often places built with an intended functionality. However through the act of photography, we are able to pause and engage with these environments in a way that allows for a different kind of reflection.
Guatemala City Dump by Misty Keasler
Youngsuk Suh: “For the past three years, I have been living in the central valley of Northern California and this has afforded opportunities to observe a variety of human activities within natural environments. Many of these activities take place in less-regulated (or private) lands and seem to be a more direct expression of our desire to commune with nature. The images in this series are monuments to this individual desire. One travels away from civilization in order to be immersed in ’pure’ nature only to discover oneself an alternative civilized institution. Yet despite the cynicism implied in the study of modern travel, the genuine desire for close bodily contact with nature cannot be ignored. No matter how illusory the “nature” experience may be, one stands at the peak of a mountain yearning to be profoundly moved. Instant Traveler collects these traces of longing”
Emma Kunz was aresearcher, healer, and prolific artist, who also discovered the healing rock powder AION A, which has helped thousands of people on their path to recovery.
‘Seconds’ are items, which, in some way, are not quite right. They are imperfect and therefore of lesser value. But who made these rules that we use to judge perfection? Who says the decoration has to be in the center? Who says a whole bird is better than half a bird? Who says a flower can’t grow down? - Jason Miller
Ceramic Superordinate Antler Chandelier by Jason Miller (Miller Studio)
Birds by Kenojuak Ashevak. Kenojuak Ashevak was born in an igloo in an Inuit camp, Ikirasaq, at the southern coast of Baffin Island.
Streetlamp pole by Vancouver based artist Germaine Koh. Custom LED chandelier responds in real time to wind speed, wind direction, humidity, and rainfall “A large chandelier with blue LED bulbs hangs from a sleekly modern lamp post, sprouting from the green roof of the Convention Centre West. The LEDs are animated by exterior weather conditions — glowing, sparkling or dimming in response to humidity, rain and wind, measured by sensors integrated into the electronic system. The lights grow brighter with relative humidity, and individual LEDs flash when rain falls, while gusts of wind dim or flicker the side of the chandelier that they hit. On clear and calm days, the piece remains constant. ” - Germaine Koh.
Above: another piece by Germaine Koh. This is a site-responsive installation with plants and soil transplanted from vacant land. Plants and seeds in the soil continue to grow over the course of the show.
“These works highlight formal structures while causing the figurative image to slip away within an apparently abstract field: the language of representation supersedes its subject. Reeves investigates the inevitable gap between ‘reality’ and representation: a space where the world is rationalized through visual conventions.”
Beautiful photographs by LANE CODER. Found on ART RUBY
Vancouver and New York based artist Aurel Schmidt.
oil on canvas
My artwork is a response to my immediate surroundings and in a larger context to our complex relationship with the natural environment. My recent relocation from downtown Houston, Texas to St John’s, Newfoundland represented a dramatic shift in my point of view. I have been inspired by the wonderful coastline of this province and its unique social and political situation to explore the mystique that islands hold in our culture and history.
Islands fire the imagination, sometimes as places of entrapment or dread but more often as alluring utopias shimmering on the horizon, promising a serenity normally absent from modern life, an image often at odds with the reality of their isolation.
This series of paintings explores the island as an ephemeral vision, slightly beyond reach, embedded in an uncertain atmospheric space and separated, sometimes by distance, sometimes by the trappings of urban existence. The nostalgic pull of this island dream persists. - Janaki Lennie
For the last several years, I have explore the possibility of calm in the midst of chaotic contemporary experience, which is believe is often characterized by a profound disconnection between people and the natural world. They present the natural world as the experience of space itself; her images push man and nature to opposite sides. The images are softened models of industrial sites and/or intensely lit tree limbs existing together or facing each other. Her colors suggest distortion of light through pollution, another unseen sense of man’s presence. The final result is a strangely beautiful and surreal illumination of an imaginary window of space and stillness of time. -Janaki Lennie