Uto Chair by Axel Einar Hjorth + African Style Chairs.
“I’m a builder, a fixer, and a do-it-myselfer. My favorite things in life are big tools, old wood, good pasta, and finding great materials in a dumpster. I grew up in California, and blindly moved to New York seven years ago when I was accepted into art school for sculpture. I instantly fell in love with the grungy part of Brooklyn, and within a month, we had moved into Bedstuy. I have lived in the same apartment for five years now, which has given me plenty of time to slowly “fix” a few things around the house: de-carpet stairways, tile in kitchen… you name it!” - Ariele Alasko
- http://brooklyntowest.blogspot.com
Rue de Meaux Housing is a low income social housing project. “Architect Renzo Piano teamed up with Desvigne and Dalnoky to design an amazing courtyard space for their project in Paris. A modular architectural design establishes a background for the small forest of birch trees. The thin birch canopy creates a diaphanous lighting condition while still obstructing views across the courtyard, thereby providing the inhabitants access to both privacy and light.” - http://ayounghare.wordpress.com
Mt. Hood Oregon 1942
Crate Chairs by Brooklyn based design studio Autumn Workshop started by Daniel Goers. These chairs are made entirely from re-purposed hologram storage crates. / “No extra wood was used in the fabrication of these chairs. The original crates were cut down, and the cut-offs were recycled back into the structure. The design uses the printed graphics to inform the user how to interact with the storage components of the furniture” /
- http://www.autumn-workshop.com/2012/08/crate-chairs/
Thia soft and delicate Autumn Willow Branch necklace is made from salvaged reclaimed leather.
ON ETSY: https://www.etsy.com/listing/108442366/autumn-willow-branch-necklace-upcycled
Brush Factory started in Brighton, an historic industrial district of Cincinnati. It has been home to artists, artisans, designers, and others for many years. Brighton is filled with handsome old brick multi-story buildings steeped in history. This history and unique setting inspires and infuses everything we do. Brush Factory brand places value on things like little material waste, a balance between innovation and tradition and above all, creating a product that has a unique personality built to last. We are committed to excellence in craft, quality, workmanship and design. Rosie Kovacs, fashion designer, stylist and purist at heart, believes that living a simple life doesn’t have to be dull. A Cincinnati native, she chose to start her clothing label after attending the University of Cincinnati’s DAAP School of Design. Residing in Cincinnati allows her to spread out, giving her the room and means to make her own products in house as well as collaborate with partner and fellow designer, Hayes Shanesy.
- http://brushmanufactory.com/
Chair by Afteroom, Glass Drop lamp by Artilleriet, Rock Chairs by Scott Burton, Serpentine chair by Eleonore Nalet.
The Cod Collection from Kria is a study of the fish which has sustained Icelandic culture for centuries and focuses on extracting details to imagine objects of ritualization.
Poster by Federal Art Project, W.P.A, Ohio , US 1938. (Ohio is a buckeye state) Image found in The Library of Congress Photostream
LOG-FI is a project by Stanley Ruiz and Wataru Sakuma of Masaeco.
Speakers were cast from tree logs with 100% paper pulp!
- http://www.stanleyruiz.com/symbiosis
Re-Love is a project by MAEZM.“Most clothes and chairs used in the past were collected by the artists and other relevant parties. It was designed based on a new method using objects in which memories remain and original function gone. The discarded chair once again becomes a comfortable sofa with clothes on top. Clothes are what enable the chair to play its part. This is also understood as one’s own past. As clothes are tangled, memories can be tied up to create a new love. To love the things again means to add another function to them. To love the things again means to add another function to them”
“To love the things again here needs be distinguished from recycling. Though the old and ragged chair in my room will gradually lose a great deal of its original function, it will hold prevalent value over other new ones through the time and space shared with me. This chair may carry an image of myself on it, stretching leg to the floor, or elaborately cherish a reminiscence of a time when I conversed with someone.
Sharing of such time and memory is also a matter of intimacy between me and the thing. However, regrettably enough, we repeatedly replace the thing for a new ‘goods’ unconsciously in pursuit of the ‘function’ it provides. The relationship between a thing and people should be understood as an expression of
‘self love’ on oneself as a result rather than personifying a thing. The intention is that the act of loving a thing again is engraved as love of one self about the time and space, and such love be proposed as methodology through ‘RE_LOVE’ “
Antelope chair designed by Ernest Race (1913-1964), Cord Lamp by Brendan Ravenhill, Wire Flow Chandelier by Arik Levy, Leaf Chair by Arper and 3 Arm Industrial Chandelier by Workstead.
“Weaver’s Nest” by Porky Hefer
“The Nest” treehouse by Bertil Harström
Inside the human nest treehouse in Big Sur - The Human Nest Treehouse
Bird inspired fashion - http://www.trendtablet.com/419-birds-2/
Reclaimed shipping pallet chair.
Universal leg system, by Jakob Schenk. “TICK is a universal table leg system which can be applied to a variety of board materials allowing you the space for individuality and creativity. A bent metal wire structure, similar to a over-dimensional paper clip clamps to any board and transforms it within a few seconds into a unique table without the use of skrews and tools”
Roomroom by Takeshi Hosaka Architects
Above: Overgrown wild garden aesthetic. Design by Plant Architects
http://www.keha3.ee/en/products/tulip-fun-fun
http://www.asmallspace.com/index.php?/project/a-cabin-in-a-loft/
“Long before the green-minded hip began toting these fishnet shopping sacks whilst touring organic foodmarts, the USSR had developed the archetype — the amazing avoska. Extremely long lines were commonplace and a score of good groceries was rare, so avoskas were essential, with their magical capability to collapse, unfold, and hold stockpile-bound bounties. Image Courtesy Michael Idov.” from Made in Russia: Unsung Icons of Soviet Design
- http://www.blog.designsquish.com/avoska-russian-net-bag/
- http://pinterest.com/designsquish/russia/
Finally!! Houses birds actually want to live in!
-http://www.thehighline.org/
-Birdhouses for High Line
Scrapwood furniture by Dutch designer, Piet Hein Eek:
- http://www.pietheineek.nl/en/collection/scrapwood
French designer Ariane Prin has been working on a project called “From Here for Here” as a part of her master’s program at the Royal College of Art. This project produces pencils sustainably by using waste from various departments of the school with the goal of supplying drawing tools for students. Each pencil has a center filled with graphite from the glass department, and its body comprised of sawdust from the wood workshop, clay from the ceramic department, and flour from the cafeteria. Watch a video on how these pencils were made on DesignBoom